2x12inch lp in deluxe gatefold replica covered by screen printed fabric + poster (90x60cm) + cd led by busy p - aka baseball capped, head honcho pedro winter - ed banger records have risen from low key parisian rock n roll cool to become one of global clublands most colourful and recognizable music outlets.

ryan elliott presents his second 12 inch ep for ostgut ton. his groovy us-sound is still present in these new productions and the stepmode ep builds a bridge between euphoria and darkish club moments.

ohm tribal tone, need we say more? first released on hubba hubba back in 92, still sounds as relevant today as it did in the clubs back then. still caned by house djs du jour from bicep to andrew weatherall to pete tong.

superb reissue of ron trent s all-time deep techno classic altered states. made when he was still school-age, and released in 1990 on armandos seminal warehouse label, this record was an immediate underground club hit, turning ron into a local hero, kickstarting his hugely successful production and djing career and making him probably the only chicago house producer to rate one of the best techno singles of all time! this classic acid workout is stunning in its simplicity and has been described as one of the most perfect and moving tracks ever heard. the other tracks are also very beautiful in their own right despite having been overshadowed by the epic altered states - the afterlife was included on dj hells x-mix-5. all tracks digitally remastered for superb sound quality

fantastic new compilation from sunkissed records features four balearic rarities from the great late 70s early 80s dutch new wave groovers flash & the pan all of which received heavy rotation at the original ibiza parties. kicks off with the full 12 inch version of one of dj alfredos amnesia anthems, the brilliant low slung >midnight man< followed by the bass-driven slo-mo disco groove of >hole in the middle< taken from their 1978 self titled debut lp. on the b-side we get the hard to find disco mix of >waiting for a train< a huge favourite of dj harvey who also featured the last track >walking in the rain< on his critically acclaimed summer beach set mix from a few years back. essential slices of balearic history that still sound fresh today

brother jt is central, pa’s john terlesky whose freewheeling boundless music has been released under many different monikers: brother jt & vibrolux, brother jt3 and most commonly brother jt. he has worked with an impressive roster of tastemakers such as drag city, siltbreeze, birdman, and drunken fish. brother jt is a moniker that finds terleskys songwriting and ample guitar skills taking a decidedly psychedelic form but never deviating too far from the classic song structure.

the mysterious detroitrocketscience project is back for a third vinyl-only excursion into deep space, with two more cosmic journeys. the sub-space signals and minimalism and heartbeat intro of zeta-reticuli 4 give way to deep, introspective strings as we journey through the interstellar gate to our titular destination, a class-m world in the zeta-reticuli system. cosmic. meanwhile on the b-side, the melancholy-yet-minimal xetra takes the listener ever deeper into unexplored, zero-gravity soundtrack realms while still retaining its requisite, earth-based, (neo-) detroit-style machine soul.

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

2015 repress four shady but sexy house cuts on the mighty viewlexxx, still going strong...

the warning we all here at cocoon still remember their label-debut as a duo. timeless and kickin tech-house with hands-up-energy and potential to set dance floors on fire - until today!

still fresh from his debut full length traces last year, delta dunktionen is back with his first ep of the year. as well a new track, it features a special karenn remix of onkalo, a track previously released on traces, as well as challenger from the same album. ltd edition!

d.fine is a young house music producer from bordeaux, france. his house renditions of popular hip- hop songs like asap rockys *wassup*, mercy, and the weekns zone are what originally garnered him the attention that he is currently enjoying. foul & sunk is hosting the three-track ep from d.fine titled backyard slated for release next month. the melody he creates with synth over not-so-unusual house beat arrangements, his very own bass, the rap gimmicks hes still fond of, and the smooth atmosphere he is putting us into you will recognize for sure. foul & sunk label head shaddy is delivering the remix to elle..

only vinyl pure hypnosis! fabrizio lapiana still shows all his passion for the musical journey. as the title of this ep confirms, hearing this release you enter a tunnel of refined sounds and post modern atmospheres. getting out will be very difficult.

sure, you are still playing part one remakes by shifted, lucy and developer and suddenly here comes the second instalment of the series. this time the line up is awesome, starring xhin, perc and orphx.

of course the acid rebirth is the masterpiece here, in a sense. a bloody good reprise, totally replayed with hardware of the rebirth from jones and stenfenson on bonzai. finishing on a big frustration: still some work for the dj! but also with the interstellar delivery, mr gasmask brings a superb techno trance tune. at least afx fans will enjoy the last tune, the arboria tribute:a superb acid broken stuff, in the pure oldschool tradition of this owesome style. 200 copy limited!

mike storm comes from the underground scene of the 072 area in the netherlands. in the late 90s he started as a dj, soon he moved from turntables to his first equipment and started performing live-sets on various local partys. while the underground scene was highly involved electro and techno music, mike learned from it’s established djs & producers and how to work with analog equipment. as of this day, he still produces his tracks still without any computer sequencer. mike storm is most of all inspired by the sound from detroit and minimal dark techno and his biggest passion is performing live on stage. in 2012 mikes coming out of the underground scene and sees his music is being appreciated by the likes of jeff mills and dimi angelis. both djs frequently use his tracks in their sets.

second 12 inch in the testpressing series, hand-stamped sleeve including insert with artwork by alex solman. mastered and cut by matt colton at alchemy, pressed at pallas so here we are at part two in the series: grows without bound on the a-side is a monster, a noisy analogue session resurrected from the burning embers of industrial and noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between vainio and nate young. over on the flipside primitive equations takes for inspiration the bare-boned, hyper-tense production of photeks still devastating ni-ten-ichi-ryu, slugging out feral, steely noise and ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.

few people stand for a real underground approach to techno like adam x does. for over 20 years he has been right in the center of the scene. before moving to berlin he ran the sonic groove record shop in nyc for 15 years. the sonic groove label also owned by adam is still a dominating force in the scene and has released music of legends like abe duque, blake baxter, frankie bones, kevin saunderson and many more. with djing, producing music adam in recent years has received a lot of support from people like chris liebing and many others for his productions as adam x as well as for his aliases traversable wormhole, admx-71.adam’s sound is dark and heavily influenced by his passion for industrial and old school ebm music. with coercive persuasion on the a-side he combines these influences with a functionality that can only derive from his extensive touring as a dj and live act. it is a dark anthem that will destroy all real techno floors. no doubt. the b-side deprogramming sequence comes along with driving bells that give the stomping beat of the track a little uplift and therewith balances out the heavy dark side of the ep.

betsy just stood there with her mouth wide open. those two guys where fencing each other up and down the stairway. they took 20 steps, back to back, then they turned around, smoothly from the hip, firing magazines at each other. then 10 steps and then 5, both where still standing. they beat each other to a pulp until the blood came out and then until no blood came out and still none of them hit the ground. betsy did not dare to move, even when the duelists finally went away in opposite directions she still stood there like a curtain rod. she cautiously moved her eyes to the left, cautiously meved her eyes to the right, everything seemed to be safe. then there was this flicker of light in betsys sunglasses. they came back.

moodymanns mahogani label releases another posthumous j dilla release, titled lost tapes, reels + more. check! despite his untimely passing in 2006, j dillas legacy has remained strong thanks to the enduring qualities of his back catalogue, the endeavours of the j dilla foundation and the yancey media group, not to mention the countless dilla themed reissues and projects that have surfaced in the wake of his death. moodymanns mahogani imprint have of course played their own part in ensuring j dillas enduring legacy with the release of the dillatroit ep last year, a 12-track release of previously unreleased j dilla material done in collaboration with the aforementioned yancey media group and j dilla foundation

the latest emotional response release provides something very special indeed, in the form of a new track from under the radar psychedelic rock musician nick nicely. nicely has been making music from the 70s onwards, but his music has recently undergone something of a critical reappraisal, with the likes of robert wyatt and robyn hitchcock supposedly inspired by his work, wrottersley road provides the ideal entry into his music, a masterful piece of shoegaze pop filled with fuzzed out guitars and eastern psychedelic tones. remixes are provided by invisible hands, who provide a minimal 80s inspired electro-pop version, which comes saturated in radiophonic textures, and the oscillation, who take the track into even more abstract ambient territory than the original, deep into a place where time seems to stand still entirely, drawing its rich textures out into infinity.

currently two of the busiest men in contemporary deep house, alex agore and james johnston have still found the time to establish their joint no matter what recordings as a potent outlet. this sixth release sees johnston at the buttons for sole control after a couple of split releases and the consumer ep demonstrates a further refinement of his own distinct brand of house music. arriving on transparent vinyl, lead track give him prozac sets the tone with a thick four note synth lead that accrues all manner of dreamlike analogue qualities as it progresses backed by those crisp rolling rhythms johnston is known for. columbo likes the nightlife takes things on a notably deeper path, all dubby chords and intricate skipping percussive touches augmented by epic sweeping textures, whilst face down and they had cocktails maintains the same feel if upping the pace somewhat. johnston ends strongly with the sublime analogue build of the sleepwalker.

sometime prime numbers, still and wolf music producer, be, drops invisible heaven on hudd traxx this march comprising three original cuts from the manchester based producer. be has been bubbling away on the underground circuit for several years now with a solid catalogue of releases on reputable imprints alongside the likes of motor city drum ensemble, trusme, move d and fred p a sign of the uncompromising quality instilled in his music.
dj support: brothers vibe, tristan da cunha, mehdi, neville watson, jori hulkkonen, norm talley, ralph lawson, franklin de costa, phil asher, james johnston, andy ash, ali herron, stu clark - wolf music, jimpster and many more.

gleich drei produzenten holte jessie ware für ihr neues album devotion ins boot. neben julio bashmore und kid harpoon war auch dave okumu (the invisible) an der platte beteiligt. herausgekommen ist ein naturgemäß vielschichtiges album, welches nicht zuletzt durch seine abwechslungsreichen songs besticht.

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos.

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos

mr. g continues his legacy with a hard hitting 12 inch which entirely covers the broad spectrum of true house music. while the a1 track starts out a little sinister it still evolves into a lush ambiance. this sourishly vibe changes continue throughout the release. another top notch mr.g effort which shouldnt be missed.

their new ep by shadow moses is maybe a style breaker leaning more towards a techno vibe with detroit roots,spanning the years between basic channel and modern love. but still in the usual quality, which means solid releases aiming on the special moments on the dancefloor and not on the charts! shadow mosess most recent 2-tracker boasts textures befitting early springtimes emotional relief: tonal warmth permeates cold, floating atmospherics, while chugging drum tracks warm up bodies...and speaker stacks. full of energy and joy with the long winter finally being over.

the recordings for the wires cracked were completed in a frenzied two week period in october of 2012. i had mentioned in discussing a previous albums construction that i prefer to forget how i build any particular electro-acoustic amalgam. this is so that i dont get to precious with them, so that i could refine them further, so that the sounds themselves speak beyond their aggregate parts. with the album being relatively fresh in my mind, i can still recall various components to the wires cracked -- the desolate howl of a metal screen activated by a desert wind, the hissing air compression from the cooling apparatus for a laser at the slac national accelerator laboratory operated by stanford university, and the tremolo rhythms from a thin wire that still get me thinking fondly of günter schickert -- but much of the caustic drone, thrumming reverberation, and tactile grit thoroughly escapes me. that is probably for the best, since these various parts speak to an existential rupturing, the collapse of the self, the aftershocks of dark energy, and a belief in the hope for renewal. (jim haynes)

nice price deal !!! already drowning, a song-cycle inspired by various myths & folktales about female water spirits, marks something of a departure for aidan baker. while still retaining his trademark sense of ambience & texture, the tracks on this album are much more structured & song-oriented, embracing a minimalist post-rock, slowcore style & featuring a different guest vocalist on each track.
limited to 300 copies on heavyweight 180 gram vinyl, including free mp3 download code.

3 track 12 from new but not new artist anno stamm. an alias of berlin producer lars stöwe aka anstam who has been one of our favourite producers around all city towers these last few years. original with a capital o, anno stamm is allowing him to fiddle about in the undergrowth even further. raw and twisted, dark with a dash of colour and heavy with the drums. 3 tracks in all, and those of a certain vintage should be able to spot the sample on lead track * i still have the photographs*. as always for those to whom such things matters - theres the usual full colour shrink-wrapped artwork with a download code.

the guys from audision are back with their next release in coloured vinyl! they produced chimes 1 for their live-set and it was much appreciated by the crowd. their new syntie roland jd 800 sounded crystal clear in their studio, but when they practiced for their live set in frankurt last year, all of a sudden it played a different sound … this was a magic moment which had to be recorded at once. the typcial audision device is: let the machines do the talking. and that is the also the story of chimes 2 *away* was the beatless track from their last years release up & away. so no one else but gez varley aka g-man created a dancefloor monster out of it. where can we start, when we talk about such a genius like gez varley. he was co-founder of the legendary lfo (warp records) duo. he wrote music history with his partner mark bell. under his solo project g-man, he released on labels like wir, i220, force inc or swim. *quo vadis* is still one of the most important all-time favourite techno tracks. last but not least a typical rough and deep house mix came out of christopher raus machines. the smallville member released on labels like, pampa, derive, aim, mule… and delivered a great track for this wonderful release. all in all - a must have!

disco doubles ist das projekt der beiden italienischen produzenten gilberto caleffi und erio simonini, die während der hochphase von disco in einem club in modena der musik verfielen. und da die erste große liebe bekanntlich nie ganz vergeht, gründeten sie einige jahre später die disco-formation disco doubles. nachdem ihr song demons feat. d mia bereits auf permanent vacation veröffentlicht wurde, erscheint nun eine 12 mit zwei remixversionen von darshan jesrani, dem mitbegründer von metro area. zu hören gibt es klassische boogie/garage vocal cuts und maximale dancefloor-action. disco dreams can still be fulfilled!

another round of wonderful eclectic delights from balearica. side a features the in demand *tonys song* by tony g. originally released back in 88, this floorfilling electro-tinged house classic features an incredibly catchy piano riff, phat bassline and some spoken vocals taken from al pacinos *scarface*. a massive hit both at amnesia in ibiza as well as at manchesters hacienda and at the early acid house parties, this track still sounds super fresh. next up is the dope vocoder-laden groove of escape from new yorks *slow beat* - a brilliant balearic chugger that features high on many most-wanted lists. on the flipside, we get the much desired slo-mo disco of steve benders *the final thing* - a moog-heavy groover that hit big at both the balearic parties and on italys cosmic scene. then finally, to round off this great compilation is the extended instrumental version of bowie & methanys *this is not america* - a favourite of everyone from alfredo to theo parrish. quality stuff!

matlocks finest rhythm plate resurface brandishing a new label in pressed for time, and what better way to inaugurate it than revisiting one of their key tracks. released back in 2002 on the mantis label run by atjazz, >lean part 2< was a wonderfully sleazy slab of deepness notable for the lascivious vocal hook that hung slinkily over the production throughout. it still sounds superb some 13 years on and is backed with an unreleased version that was done in the same period, along with deliciously freaky new >leaner< mix from the pair

sieben jahre war es musiklisch sehr still um megastar justin timberlake. mitte januar meldete er sich mit einem paukenschlag zurück und lieferte uns mit seiner street-single suit & tie featuring jay z einen ersten vorgeschmack auf sein neues album the 20/20 experience.

bella union is very pleased to announce a new liaison with canadian quintet the belle game. in tandem with vancouver based-label boompa records, we will be releasing the new single *wait up for you* on limited edition vinyl 7 inch. led by the hypnotic vocals of andrea lo, the belle game take intricate guitar and keyboard lines, anchored by dark pop rhythms, and weave them into gorgeous, graceful melodies… the end result still retaining the rawness of a boozy confessional.

limited edition of 500 copies on white vinyl.
belgian industrial legend the klinik returns after 22 years with a new album in the original line up. *eat your heart out* is the perfect continuation of the classic minimalist-cold sound of the band that still stands as one of the most innovative in the scene.

the detroit threads record store has survived in one incarnation or another for more than16 years. in this time personal relationships have formed with music makers of every circle over the common bond of vinyl sound. it was a logical step to give back to this community a product that reflects the many faces that make up the store. a store that has been and will continue to be a hub for the exchange of ideas, kept alive by like minded people who still believe in the independent detroit spirit. this spirit shines upon the unique artists that move to their own beat, and never compromise their vision. detroit threads gives a voice to these artists that should be heard. nospectical is walter wasack, jennifer paull, and chistopher mcnamara. they are a team of detroit sound artists that lean into e.d.m. on the minimal tip. their comfort zone is inside of a sounds cape near the sphere of unconsciousness. nospectical is a cool dark breeze that is alive with a pulse. they tread into strangeness and let it come together to form a neurotic world. nospectical works to broaden the view and redefine the depth of detroit techno. detroit threads is proud to support this cause.

after inigos well-received previous release >the shard<, he now steps up again with 2 epic pieces of electronic beauty.
i still find it hard to describe music after all these years, as i think the most important is what people feel when listening to it rather than pigeon holing the hell out of it. i simply love it, hope you do too. (kr!z)

take a long and wistful stare out of routines window. beyond the urban sprawl and endless nine-to-five tape loop, pass the minds monotonous prattling and humdrum hum of breadwinning, losing and general existing, somewhere out there burns a summer eternal, with all its romances still in tact. a place full of sweaty nights and protracted lazy days where the breeze teases with salty lips, and the sun leaves its freckled kiss on basking knees and cheeks. this is where everything happened just so, where bittersweet memories were made and mistakes first revealed their lessons. here is where you can think, reflect or simply escape. here is your exit.

with the back catalogue burned to cinders and the last few dog eared copies at freerange hq looking more than a little shabby, heres your opportunity to grab some of the labels highlights on the blackstuff. the complete boxsets have all gone now but you can still buy the box with part one and add the individual releases.

vinyl only. no digital. no re-press. hand stamped & numbered. limited 200 units. blue vinyl.

after two in as many years, low-key german producer yor returns to similarly low key dutch imprint purple maze for his third full outing on the label in the form of the sublimation ep. across the four tracks yor continues to explore the same frayed and decayed, abstract electronics as he has in the past, with distant kins like kassem mosse and morphosis still resonating.

ltd 2013 repress... ah, romanians. doncha just love em. well, it appears that, yes, we very much do here at fof as over the years we seem to have nurtured our fair share of talent haling from those shores and here we are yet again with another bright young thing in the shape of nu zau.pason a dark and trippy early morning ride, haunting pads and vocal snatches really bringing home the heady vibe over the course of its 10 minute running length. de ja vu on the flip acts as a nice counterpoint with its more optimistic outlook - a frisky tech house groover reminiscent of productions from the early days of londons tech house scene, still with an underlying sense of trippiness but one more associated with hot shimmering days spent outdoors than pasons sweatier dark room feel

amazing release feat three remixes of bigfires *general of the universe* on the japanese label of the same name. the a-side is courtesy of none other than robert armani in full chicago-style jackin effect, it is a bomb people, be warned! flip over for deeper but still epic remixes from hawkinson and beroshima, all packaged in a really cool full-colour picture sleeve and everything adds up to a record that is not to be missed.
pressing on translucent vinyl, smokey blue marbled.

previously released on dusty kids critically acclaimed lonplayer *beyond the hill* from 2011, *that hug* gets accompanied by *this hug*. with a total playtime of 32 minutes, these two tracks by dusty kid prove there still is room for anthems in this confusion world of epic techno. total playtime of 32 minutes! limited to 250 copies! light blue coloured & marbled vinyl!

as the famous dutch expression goes: the monkey is ready to come out of the sleeve again! lany recordings apetunes vol 1 is still lingering with us thanks to larses killer the more i want track, but we here at lany hq have already planned the follow-up!